Elizabethan literature: Difference between revisions
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When Sir [[Philip Sidney]] wrote his ''An Apology for Poetry'' (alternative title ''A Defence of Poesie'') some time between 1579 and his death in 1586, he claimed to be attempting to raise the status of poetry, "the laughing stock of children", though his account of its low status was probably exaggerated. Sidney belonged to the [[Protestant]] wing of the [[Elizabethan Religious Settlement]], but he seems to have wanted to defend his art against the more extreme [[Puritanism|puritans]] because he particularly emphasised poetry as the nourisher of virtue. His ''Apology'' was circulated among his circle in slightly different texts (hence the alternative titles), and at the time he wrote the only poetry of note published in Elizabeth's reign was [[Edmund Spenser|Spenser]]'s ''The Shepheardes Calender''. The end of the reign, however, had seen the publication of narrative poems by [[William Shakespeare|Shakespeare]] and [[Christopher Marlowe|Marlowe]], sonnet sequences by [[Samuel Daniel|Daniel]] and [[Michael Drayton|Drayton]], all of Spenser's remaining poetry, and much else. | When Sir [[Philip Sidney]] wrote his ''An Apology for Poetry'' (alternative title ''A Defence of Poesie'') some time between 1579 and his death in 1586, he claimed to be attempting to raise the status of poetry, "the laughing stock of children", though his account of its low status was probably exaggerated. Sidney belonged to the [[Protestant]] wing of the [[Elizabethan Religious Settlement]], but he seems to have wanted to defend his art against the more extreme [[Puritanism|puritans]] because he particularly emphasised poetry as the nourisher of virtue. His ''Apology'' was circulated among his circle in slightly different texts (hence the alternative titles), and at the time he wrote the only poetry of note published in Elizabeth's reign was [[Edmund Spenser|Spenser]]'s ''The Shepheardes Calender''. The end of the reign, however, had seen the publication of narrative poems by [[William Shakespeare|Shakespeare]] and [[Christopher Marlowe|Marlowe]], sonnet sequences by [[Samuel Daniel|Daniel]] and [[Michael Drayton|Drayton]], all of Spenser's remaining poetry, and much else. | ||
Sidney himself published none of his own poetry, and this was in keeping with the tradition of the aristocracy in which he belonged (maintained also by [[Walter Ralegh|Ralegh]]. It was instead circulated privately among friends and acquaintances. In the year before Elizabeth's accession, a hard-headed<ref>Tottell had a monopoly on printing law books, which he fully exploited.</ref> printer called Tottell (Tottel, Tothill) had published ''Songes and Sonettes'', gathering up poems from such privately circulated manuscripts, mostly by [[Thomas Wyatt|Wyatt]] and the Earl of Surrey. This publication, commonly called ''Tottel's Miscellany'', was very successful, being reprinted at least eight times between 1857 and 1600, showing that there was an appetite for verse that extended beyond the [[ballad literature]]. This appetite clearly continued, with Shakespeare's ''Venus and Adonis'', for instance, being reprinted at least 15 times before 1640. | Sidney himself published none of his own poetry, and this was in keeping with the tradition of the aristocracy in which he belonged (maintained also by [[Walter Ralegh|Ralegh]]). It was instead circulated privately among friends and acquaintances. In the year before Elizabeth's accession, a hard-headed<ref>Tottell had a monopoly on printing law books, which he fully exploited.</ref> printer called Tottell (Tottel, Tothill) had published ''Songes and Sonettes'', gathering up poems from such privately circulated manuscripts, mostly by [[Thomas Wyatt|Wyatt]] and the Earl of Surrey. This publication, commonly called ''Tottel's Miscellany'', was very successful, being reprinted at least eight times between 1857 and 1600, showing that there was an appetite for verse that extended beyond the [[ballad literature]]. This appetite clearly continued, with Shakespeare's ''Venus and Adonis'', for instance, being reprinted at least 15 times before 1640. | ||
[[Ovid]] was a major source and influence for the poetry of this period. | [[Ovid]] was a major source and influence for the poetry of this period. | ||
Revision as of 09:09, 27 February 2016
Elizabethan literature refers to English literature produced during the reign of Elizabeth I, 1558–1603, but the term is often extended to cover all the writings of authors who were initially active during her reign.
Poetry
When Sir Philip Sidney wrote his An Apology for Poetry (alternative title A Defence of Poesie) some time between 1579 and his death in 1586, he claimed to be attempting to raise the status of poetry, "the laughing stock of children", though his account of its low status was probably exaggerated. Sidney belonged to the Protestant wing of the Elizabethan Religious Settlement, but he seems to have wanted to defend his art against the more extreme puritans because he particularly emphasised poetry as the nourisher of virtue. His Apology was circulated among his circle in slightly different texts (hence the alternative titles), and at the time he wrote the only poetry of note published in Elizabeth's reign was Spenser's The Shepheardes Calender. The end of the reign, however, had seen the publication of narrative poems by Shakespeare and Marlowe, sonnet sequences by Daniel and Drayton, all of Spenser's remaining poetry, and much else.
Sidney himself published none of his own poetry, and this was in keeping with the tradition of the aristocracy in which he belonged (maintained also by Ralegh). It was instead circulated privately among friends and acquaintances. In the year before Elizabeth's accession, a hard-headed[1] printer called Tottell (Tottel, Tothill) had published Songes and Sonettes, gathering up poems from such privately circulated manuscripts, mostly by Wyatt and the Earl of Surrey. This publication, commonly called Tottel's Miscellany, was very successful, being reprinted at least eight times between 1857 and 1600, showing that there was an appetite for verse that extended beyond the ballad literature. This appetite clearly continued, with Shakespeare's Venus and Adonis, for instance, being reprinted at least 15 times before 1640.
Ovid was a major source and influence for the poetry of this period.
Broadside ballads were very popular during the Tudor and early Stuart period, and Sidney even defended them.[2]
- ↑ Tottell had a monopoly on printing law books, which he fully exploited.
- ↑ See Ballad literature