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The first edition of ''Paradise Lost'', in ten books, was published in 1667; the now standard twelve book version was published in 1674. On ''Paradise Lost'', literary giant [[John Dryden]] described his contemporary’s achievement as “undoubtedly one of the greatest, most noble, and most sublime poems which either this age or nation has produced.”<ref>See the Prefatory Essay in Dryden’s ''The State of Innocence'', 1674.</ref> The poetry of Milton served as a profound inspiration to the later Romantic poets, particularly [[Percy Bysshe Shelley|Shelley]] (e.g., ''Prometheus Unbound''), [[John Keats|Keats]] (e.g., the two ''Hyperion'' poems) and [[William Blake]] (e.g., ''The Four Zoas''). In more recent years [[T. S. Eliot]] noted that poets can study Milton “with profit to their poetry and to the English language.”<ref>Eliot, T.S., "Milton II" in ''Selected Prose of T.S. Eliot'' (London: Faber and Faber, 1980), p. 274.</ref> According to Gordon Campbell, "In America, where Christianity is still a vital force, ''Paradise Lost'' is valued as the supreme epic of Christendom." <ref>Gordon Campbell, "Milton, John (1608–1674)", ''Oxford Dictionary of National Biography'', (2008).</ref> In his lifetime Milton received a total of £10.00 for his work on ''Paradise Lost''.<ref>Gordon Campbell, "Milton, John (1608–1674)", ''Oxford Dictionary of National Biography'', (2008).</ref>
The first edition of ''Paradise Lost'', in ten books, was published in 1667; the now standard twelve book version was published in 1674. On ''Paradise Lost'', literary giant [[John Dryden]] described his contemporary’s achievement as “undoubtedly one of the greatest, most noble, and most sublime poems which either this age or nation has produced.”<ref>See the Prefatory Essay in Dryden’s ''The State of Innocence'', 1674.</ref> The poetry of Milton served as a profound inspiration to the later Romantic poets, particularly [[Percy Bysshe Shelley|Shelley]] (e.g., ''Prometheus Unbound''), [[John Keats|Keats]] (e.g., the two ''Hyperion'' poems) and [[William Blake]] (e.g., ''The Four Zoas''). In more recent years [[T. S. Eliot]] noted that poets can study Milton “with profit to their poetry and to the English language.”<ref>Eliot, T.S., "Milton II" in ''Selected Prose of T.S. Eliot'' (London: Faber and Faber, 1980), p. 274.</ref> According to Gordon Campbell, "In America, where Christianity is still a vital force, ''Paradise Lost'' is valued as the supreme epic of Christendom." <ref>Gordon Campbell, "Milton, John (1608–1674)", ''Oxford Dictionary of National Biography'', (2008).</ref> In his lifetime Milton received a total of £10.00 for his work on ''Paradise Lost''.<ref>Gordon Campbell, "Milton, John (1608–1674)", ''Oxford Dictionary of National Biography'', (2008).</ref>


<blockquote>Milton was, like Dante, a statesman and a lover; and, like Dante,
<blockquote>"Milton was, like Dante, a statesman and a lover; and, like Dante, he had been unfortunate in ambition and in love. ... But the strength of his mind overcame every calamity. Neither blindness, nor gout, nor age, nor penury, nor domestic afflictions, nor political disappointments, nor abuse, nor proscription, nor neglect, had power to disturb his sedate and majestic patience. His spirits do not seem to have been high, but they were singularly equable. His temper was serious, perhaps stern; but it was a temper which no sufferings could render sullen or fretful. Such as it was when, on the eve of great events, he returned from his travels, in the prime of health and manly beauty, loaded with literary distinctions, and glowing with patriotic hopes, such it continued to be when, after having experienced every calamity which is in incident to our nature, old, poor, sightless and disgraced, he retired to his hovel to die.  
he had been unfortunate in ambition and in love. He had survived
Hence it was that, though he wrote the Paradise Lost at a time of life when images of beauty and tenderness are in general beginning to fade, even from those minds in which they have not been effaced by anxiety and disappointment, he adorned it with all that is most lovely and delightful in the physical and in the moral world." (from Macaulay's essay on Milton, 1825)<ref>[http://www.gutenberg.org/dirs/etext00/1cahe10.txt Essay on Milton] Thomas Babington Macaulay, Baron, 1800-1859
his health and his sight, the comforts of his home, and the
prosperity of his party. ...  But
the strength of his mind overcame every calamity. Neither
blindness, nor gout, nor age, nor penury, nor domestic
afflictions, nor political disappointments, nor abuse, nor
proscription, nor neglect, had power to disturb his sedate and
majestic patience. His spirits do not seem to have been high, but
they were singularly equable. His temper was serious, perhaps
stern; but it was a temper which no sufferings could render
sullen or fretful. Such as it was when, on the eve of great
events, he returned from his travels, in the prime of health and
manly beauty, loaded with literary distinctions, and glowing with
patriotic hopes, such it continued to be when, after having
experienced every calamity which is in incident to our nature,
old, poor, sightless and disgraced, he retired to his hovel to
die.
 
Hence it was that, though he wrote the Paradise Lost at a time of
life when images of beauty and tenderness are in general
beginning to fade, even from those minds in which they have not
been effaced by anxiety and disappointment, he adorned it with
all that is most lovely and delightful in the physical and in the
moral world.<ref>[http://www.gutenberg.org/dirs/etext00/1cahe10.txt Essay on Milton] Thomas Babington Macaulay, Baron, 1800-1859
(August 1825)</ref>
(August 1825)</ref>
</blockquote>
</blockquote>

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John Milton (9 December 1608 – 9 November 1674) was an English poet who is today primarily celebrated for his twelve-book epic poem in English blank verse, Paradise Lost. Other poems for which he is remembered are Comus, a masque (or play with music); and Lycidas, an elegy on the death of a dear friend, and which features prominently, for example, in the “Nestor” episode in James Joyce’s Ulysses.

Politics

A leading intellectual of his day, Milton wrote numerous pamphlets on major political issues, such as The Reason of Church Government (1642) and The Ready and Easy Way to Establish a Free Commonwealth (1660). Married three times, he wrote The Doctrine and Discipline of Divorce (1643), a pamphlet arguing for the efficacy of divorce in certain situations. He was appointed Latin Secretary (or, Secretary for Foreign Tongues) to the Commonwealth in February 1649, and remained in this official post until the restoration of the Monarchy on 8 May 1660. As a result of his association with Cromwell’s government, Milton was imprisoned for a time and only barely avoided the death penalty.

Blindness

At the age of 42 he lost his eyesight completely and had to dictate his ensuing works to various amanuenses; and in various poems, such as at the beginning of Book III of Paradise Lost, the sonnet “Me thought I saw my late espoused Saint”, and his final work, the “dramatic poem” Samson Agonistes, Milton addresses his sad feelings relating to his loss of sight. Perhaps best known of all, for one of the best known last lines in English literature, is his sonnet 19 [1]

When I consider how my light is spent,
E're half my days, in this dark world and wide,
And that one Talent which is death to hide,
Lodg'd with me useless, though my Soul more bent
To serve therewith my Maker, and present
My true account, least he returning chide,
Doth God exact day labour, light deny'd,
I fondly ask; But patience to prevent
That murmur, soon replies, God doth not need
Either man's work or his own gifts, who best
Bear his milde yoak, they serve him best, his State
Is Kingly. Thousands at his bidding speed
And post o're Land and Ocean without rest:
They also serve who only stand and waite.

Paradise Lost

The first edition of Paradise Lost, in ten books, was published in 1667; the now standard twelve book version was published in 1674. On Paradise Lost, literary giant John Dryden described his contemporary’s achievement as “undoubtedly one of the greatest, most noble, and most sublime poems which either this age or nation has produced.”[2] The poetry of Milton served as a profound inspiration to the later Romantic poets, particularly Shelley (e.g., Prometheus Unbound), Keats (e.g., the two Hyperion poems) and William Blake (e.g., The Four Zoas). In more recent years T. S. Eliot noted that poets can study Milton “with profit to their poetry and to the English language.”[3] According to Gordon Campbell, "In America, where Christianity is still a vital force, Paradise Lost is valued as the supreme epic of Christendom." [4] In his lifetime Milton received a total of £10.00 for his work on Paradise Lost.[5]

"Milton was, like Dante, a statesman and a lover; and, like Dante, he had been unfortunate in ambition and in love. ... But the strength of his mind overcame every calamity. Neither blindness, nor gout, nor age, nor penury, nor domestic afflictions, nor political disappointments, nor abuse, nor proscription, nor neglect, had power to disturb his sedate and majestic patience. His spirits do not seem to have been high, but they were singularly equable. His temper was serious, perhaps stern; but it was a temper which no sufferings could render sullen or fretful. Such as it was when, on the eve of great events, he returned from his travels, in the prime of health and manly beauty, loaded with literary distinctions, and glowing with patriotic hopes, such it continued to be when, after having experienced every calamity which is in incident to our nature, old, poor, sightless and disgraced, he retired to his hovel to die.

Hence it was that, though he wrote the Paradise Lost at a time of life when images of beauty and tenderness are in general beginning to fade, even from those minds in which they have not been effaced by anxiety and disappointment, he adorned it with all that is most lovely and delightful in the physical and in the moral world." (from Macaulay's essay on Milton, 1825)[6]

Bibliography

  • Beer, Anna. Milton: Poet, Pamphleteer, and Patriot (2008), 458pp
  • Bradford. Richard. Critical Guide to John Milton (2001) 215pp online edition
  • Campbell, Gordon. "Milton, John (1608–1674)", Oxford Dictionary of National Biography, Sept 2004; online edition, Jan 2008
  • Flannagan, Roy C. John Milton: A Short Introduction (2002) excerpt and text search
  • Miner, Earl, and William Moeck, eds. Paradise Lost, 1668-1968: Three Centuries of Commentary (2004) 510pp online edition
  • Le Comte, Edward S. A Milton Dictionary (1961) online edition
  • Lewalski, Barbara. The Life of John Milton: A Critical Biography (2002), 790pp excerpt and text search
  • Lieb, Michael. Poetics of the Holy: A Reading of Paradise Lost (1981) online edition
  • Parker, William Riley. Milton: A Biography (2 vol 1968; 2nd ed of vol 1 revised by Gordon Campbell, 1996), 666pp, the foremost scholarly biography online edition
  • Wilson, A. N. A Life of John Milton (2nd ed. 2002)

Editions

  • Paradise Lost (Longman Annotated English Poets ed. by Alastair Fowler) 744 pages (1968; 2nd ed. 2006); the only recent edition to be based on the text of the first (1667) edition, now widely accepted to be closer to Milton's intention than that of 1674 excerpt and text search
  • The Complete Poetry and Essential Prose of John Milton (Modern Library, ed. by William Kerrigan, John Rumrich, and Stephen M. Fallon) (2007)
  • The Complete Poetry of John Milton (ed. by John T. Shawcross) (1971) excerpt and text search
  • The Poetical Works of John Milton - Vol. 1 ed. by Helen Darbishire; (2000) online edition
  • Complete Prose Works of John Milton Series online information from Yale University Press

Primary sources

  • French, J. M., ed. Life Records of John Milton (5 vol 1949-58)

External links

References

  1. ↑ Sonnet 19. This sonnet, numbered XVI in Poems (1673)was probably written in 1652.
  2. ↑ See the Prefatory Essay in Dryden’s The State of Innocence, 1674.
  3. ↑ Eliot, T.S., "Milton II" in Selected Prose of T.S. Eliot (London: Faber and Faber, 1980), p. 274.
  4. ↑ Gordon Campbell, "Milton, John (1608–1674)", Oxford Dictionary of National Biography, (2008).
  5. ↑ Gordon Campbell, "Milton, John (1608–1674)", Oxford Dictionary of National Biography, (2008).
  6. ↑ Essay on Milton Thomas Babington Macaulay, Baron, 1800-1859 (August 1825)
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