The Body of a Girl: Difference between revisions
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'''The Body of a Girl''' is a novel of suspense by the British author [[Michael Gilbert]] published in England by [[Hodder and Stoughton]] and in the United States by [[Harper & Row]] in 1972. It was Gilbert's 15th novel and falls into the category of [[Police procedural|police procedurals]], although it is undoubtedly tougher in tone than many of them. Its | '''The Body of a Girl''' is a novel of suspense by the British author [[Michael Gilbert]] published in England by [[Hodder and Stoughton]] and in the United States by [[Harper & Row]] in 1972. It was Gilbert's 15th novel and falls into the category of [[Police procedural|police procedurals]], although it is undoubtedly tougher in tone than many of them. Its protagonist is a new character from Gilbert, the tough [[Inspector Bill Mercer]], and a secondary character, [[Chief Superintendent Morrissey]], makes his first appearance. | ||
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The Body of a Girl is a novel of suspense by the British author Michael Gilbert published in England by Hodder and Stoughton and in the United States by Harper & Row in 1972. It was Gilbert's 15th novel and falls into the category of police procedurals, although it is undoubtedly tougher in tone than many of them. Its protagonist is a new character from Gilbert, the tough Inspector Bill Mercer, and a secondary character, Chief Superintendent Morrissey, makes his first appearance.
t introduces his most notable series character, Patrick Petrella, as a young and already somewhat controversial Detective Sergeant working out of the fictional Q Division of the Metropolitan Police Area.
Plot
The body of a woman is discovered hidden away in the bushes near a little-known part of London, the fictitious Binford Park Reservoir, which, in spite of its size, importance, and somewhat rural aspects, is relatively inconspicuous and unknown even to its closest neighbors. Although a number of policemen are featured in the book, both those at Q Division and additional members from New Scotland Yard, Petrella is the protagonist through whom we see most of the story. The story is told in what is apparently a realistic and knowledgeable depiction of how a great metropolitan police force would actually investigate this sort of crime. So-called "police procedurals" were becoming popular in the 1950s, with notable examples being the 87th Precinct novels of the American writer Ed McBain and the British novels about Commander Gideon of Scotland Yard by J.J. Marrick. Gilbert himself was a longtime practicing solicitor in London, and in this story, as in many of his others, he imbues it with a fair amount of court scenes and overall legal expertise.
In spite of being mostly focused on the police and how they methodically track down, arrest, and have prosecuted various professional criminals, there are still surprising twists and turns in the story's plotting, in which apparently straightforward assumptions and/or characters are suddenly revealed to be something completely different. It is, in fact, not until the very last pages that we are sure that the actual perpetrator has been arrested—but not yet brought to trial. And, in a final ironic twist, the odious gangster who has previously been arrested and convicted on a capital murder charge is set free on appeal and now looks to profit greatly from his legal tribulations by selling his story to the newspapers for a large amount of money. As one of Gilbert's editors said after his death in 2006, "He's not a hard-boiled writer in the classic sense, but there is a hard edge to him, a feeling within his work that not all of society is rational, that virtue is not always rewarded.".[1] Such is the case here.
Reception and/or Appraisal
NYT review If the Llewellyn book deals globally with the upper echelons of power politics, Michael Gilbert's THE BODY OF A GIRL (Harper & Row, $5.95), equally good of its kind, is a purely local affair. The action takes place in a small town near London, where the skeleton of a girl has been found. A new chief inspector, who is perhaps not all that he seems to be, takes charge of the case.
Gilbert is a smooth performer. His style is logical and flowing and full of deft touches. “The Body of a Girl” does what a good mystery should do: open up into all kinds of ramifications, with untold menace behind the action. At the end, there is a bang‐up climax, and it is a pleasure to see how skillfully Gilbert wraps everything up. https://www.nytimes.com/1972/03/05/archives/criminals-at-large.html?searchResultPosition=
Kirkus THE BODY OF A GIRL BY MICHAEL GILBERT Kirkus Reviews Issue: Feb. 1, 1971 https://www.kirkusreviews.com/book-reviews/a/michael-gilbert-4/the-body-of-a-girl/ In the once quiet town of Stoneferry on Thames, newly appointed Chief Inspector William Mercer officiates over the recently discovered skeleton of a girl, relates it wrongly to one Sweetie Sowthistle who had disappeared two years ago, and then to another young woman who had worked for the local solicitor. But then there are the Crows, a criminal organization, and a hot car racket, and a literally one but strong armed bandit called John Bull, and all of this is solidly forcefed in an energetic combination of the traditional and the procedural. Mr. Gilbert is at his professional best.
Notes
- ↑ Douglas Greene of Crippen & Landrau, quoted in The New York Times, 15 February 2006