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'''''Houses of the Holy''''' is the fifth album by England|English Rock music|rock band Led Zeppelin, released by Atlantic Records on 28 March 1973. The album title is a dedication by the band to their fans who appeared at venues they dubbed 'Houses of the Holy.' It was the first Led Zeppelin album to not be, at least unofficially, titled after the band. The album represents a musical turning point for Led Zeppelin, as they began to use more layering and production techniques in recording their songs. | '''''Houses of the Holy''''' is the fifth album by [[England|English]] Rock music|rock band Led Zeppelin, released by Atlantic Records on 28 March 1973. The album title is a dedication by the band to their fans who appeared at venues they dubbed 'Houses of the Holy.' It was the first Led Zeppelin album to not be, at least unofficially, titled after the band. The album represents a musical turning point for Led Zeppelin, as they began to use more layering and production techniques in recording their songs. | ||
Although ''Houses of the Holy'' initially received mixed reviews, it has since become regarded by critics as one of Led Zeppelin's finest albums. The album provided notable additions to the band's catalogue, including 'Over the Hills and Far Away', 'Dancing Days', 'The Song Remains the Same (song)|The Song Remains the Same', 'D'yer Mak'er', 'No Quarter (song)|No Quarter' and 'The Ocean (song)|The Ocean', and it has sold over 11 million copies in the United States of America. | Although ''Houses of the Holy'' initially received mixed reviews, it has since become regarded by critics as one of Led Zeppelin's finest albums. The album provided notable additions to the band's catalogue, including 'Over the Hills and Far Away', 'Dancing Days', 'The Song Remains the Same (song)|The Song Remains the Same', 'D'yer Mak'er', 'No Quarter (song)|No Quarter' and 'The Ocean (song)|The Ocean', and it has sold over 11 million copies in the United States of America. |
Revision as of 21:12, 30 May 2024
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Houses of the Holy is the fifth album by English Rock music|rock band Led Zeppelin, released by Atlantic Records on 28 March 1973. The album title is a dedication by the band to their fans who appeared at venues they dubbed 'Houses of the Holy.' It was the first Led Zeppelin album to not be, at least unofficially, titled after the band. The album represents a musical turning point for Led Zeppelin, as they began to use more layering and production techniques in recording their songs. Although Houses of the Holy initially received mixed reviews, it has since become regarded by critics as one of Led Zeppelin's finest albums. The album provided notable additions to the band's catalogue, including 'Over the Hills and Far Away', 'Dancing Days', 'The Song Remains the Same (song)|The Song Remains the Same', 'D'yer Mak'er', 'No Quarter (song)|No Quarter' and 'The Ocean (song)|The Ocean', and it has sold over 11 million copies in the United States of America. Recording sessionsThis album was even more experimental than their last ones. From reggae influences to romantic ballads, Houses of the Holy shows that the band members were immensely burgeoning as musicians. Much of this album was recorded in Spring 1972 at Stargroves, the country estate in Berkshire, using the Rolling Stones Mobile Studio. Some songs from the album had initially been tried out earlier than this, such as 'No Quarter', which was first attempted during a session at Headley Grange.[1] Several of the songs were also demo'd at the personal recording studio|studios of guitarist Jimmy Page and bass player/keyboardist John Paul Jones (musician)|John Paul Jones. These two musicians had recently installed the studios in their respective homes, which enabled them to complete the arrangements which had been laid down earlier.[2] In particular, Page was able to present complete arrangements of 'The Rain Song' and 'Over the Hills and Far Away', while Jones had developed 'No Quarter'.[3] Another bout of recording took place at Olympic Studios in May 1972, and during the band's Led Zeppelin North American Tour 1972|1972 North American tour additional recording sessions were conducted at Electric Lady Studios in New York (disambiguation)|New York.[4] Some of these songs which were recorded from various sessions did not eventually make it onto Houses of the Holy, namely 'Black Country Woman', 'Walter's Walk', 'The Rover' and also the title-track, 'Houses of the Holy (song)|Houses of the Holy'. All of these songs were retained and later released on subsequent Led Zeppelin albums. CompositionThis album was a stylistic turning point in the lifespan of Led Zeppelin. Guitar riffs became more layered within Jimmy Page's production techniques and departed from the blues influences of earlier records. In the album's opening opus, 'The Song Remains the Same', and its intricate companion suite, 'The Rain Song', Robert Plant's lyrics matured toward a less overt form of the mysticism and fantasy of previous efforts. Houses of the Holy also featured styles not heard on the first four Led Zeppelin albums. For example, 'D'yer Mak'er' is a reggae-based tune; 'No Quarter' features atmospheric keyboard sounds and an acoustic piano solo from John Paul Jones; 'The Crunge' is a funk tribute; and 'The Rain Song' is embellished by Jones on his newly-acquired Mellotron. The album's closing song 'The Ocean (song)|The Ocean' is dedicated to 'the ocean' of fans who at this point of the band's career massed to Led Zeppelin concert tour chronology|Led Zeppelin concerts. In the assessment of Led Zeppelin expert Dave Lewis:
Album sleeve designThough the album was completed in the spring of 1972, its release was delayed till 18 March 1973 in the United States, and 26 March 1973, in the United Kingdom, due to production problems with the cover artwork. The cover art for Houses of the Holy was inspired by the ending of Arthur C. Clarke's novel Childhood's End.[6] It is a collage of several photographs which were taken at the Giant's Causeway, Northern Ireland, by Aubrey Powell of Hipgnosis. This location was chosen ahead of an alternative one in Peru which was being considered.[7] The two children who modelled for the cover were siblings Stefan Gates|Stefan and Samantha Gates.[8] The photoshoot was a frustrating affair over the course of ten days. Shooting was done first thing in the morning and at sunset in order to capture the light at dawn and dusk, but the desired effect was never achieved due to constant rain and clouds. The photos of the two children were taken in black and white and were multi-printed to create the effect of eleven individuals that can be seen on the album cover. The results of the shoot were less than satisfactory, but some accidental tinting effects in post-production created an unexpectedly striking album cover.[9] The inner sleeve photograph was taken at Dunluce Castle near to the Causeway. Page, in the end, was satisfied with the artwork: '(The cover) denoted the feeling of expectancy for the music contained within.' Like Led Zeppelin's Led Zeppelin IV|fourth album, neither the band's name nor the album title was printed on the sleeve. However, manager Peter Grant did allow Atlantic Records to add a wrap-around band to UK copies of the sleeve that had to be broken or slid off to access the record.[10] The first CD release of the album in the 1980s did have the title logos printed on the cover itself. In 1974 the album was nominated for a Grammy Award in the category of Grammy Award for Best Recording Package|best album package. The cover was rated number six on VH1's 50 Greatest Album Covers in 2003. Release and critical reactionThis was Led Zeppelin's final studio release on Atlantic Records before forming their own label, Swan Song Records, in 1974. It was also the only Led Zeppelin album that contained complete printed lyrics to each song. Although intended for release in January 1973, delays in producing the album cover meant that it was not released until March, when the band was on its Led Zeppelin European Tour 1973|1973 European tour. The album was promoted heavily before the commencement of Led Zeppelin's subsequent Led Zeppelin North American Tour 1973|North American Tour, ensuring that it had ascended the top of the American chart by the beginning of the tour.[11] Because much of the album had been recorded almost a year previously, many of the songs which are featured on the album had already been played live by Led Zeppelin on their concert tours of North America, Japan, Europe and the United Kingdom in 1972-1973.[12] Upon its release, the album received some mixed reviews, with some criticism from the music press being directed at the off-beat nature of tracks such as 'The Crunge' and 'D'yer Mak'er'.[13] However, the album was very commercially successful, entering the UK chart at number one, while in America its 39-week run on the Billboard Top 40 was their longest since their third album.[14] In 2003, the album was ranked number 149 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time|the 500 greatest albums of all time. Reviews
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(*) designates unordered lists. Track list
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