Bright Leaves: Difference between revisions

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==References==
==References==
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<ref name=DadunRossMcElwee>
{{cite news   
| url        = https://dadun.unav.edu/bitstream/10171/3394/1/Cap%20Efren%20RMcElwee.pdf
| title      = Sculpting the Self: Autobiography According to Ross McElwee
| work        = [[Wide Angle: Articles on the cinema of Ross McElwee]]
| author      = Efren Cuevas
| date        = 2008
| page        =
| location    =
| isbn        =
| language    =
| trans-title =
| archiveurl  = https://web.archive.org/web/20210513070102/https://dadun.unav.edu/bitstream/10171/3394/1/Cap%20Efren%20RMcElwee.pdf
| archivedate = 2021-05-13
| accessdate  = 2022-08-31
| url-status  = live
| quote      = The identifying marks of Ross McElwee’s autobiographical work keep relatively unchanged from Backyard to Bright Leaves, with little variations which allow us to talk of a common style in his fi lmography.
}}
[https://web.archive.org/web/20210513070102/https://dadun.unav.edu/bitstream/10171/3394/1/Cap%20Efren%20RMcElwee.pdf mirror]
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Revision as of 06:10, 31 August 2022

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File:Brightl.jpg
Director Ross McElwee shooting a scene for the film.

Bright Leaves is a 2003 United States/United Kingdom documentary film by independent filmmaker Ross McElwee about the association his family had with the tobacco industry.[1][2] Bright Leaves had its world premiere at the 2003 Cannes Film Festival.[3]

Film

Bright Leaf is the name of a strain of tobacco.[1] It was also the name of a 1949 novel and 1950 feature film about a struggle between two tobacco barons.

The struggle depicted in the feature film, according to McElwee family tradition, parallels one between McElwee's great-grandfather and the patriarch of the Duke family, for whom Duke University is named.[1][4][5]

Cast

Interviewed as part of this film include Allan Gurganus, Ross McElwee, Tom McElwee, Vlada Petric, Paula Larke, Marilyn Levine, Emily Madison, Adrian McElwee, Charleen Swansea, and Patricia Neal, the leading lady of the 1950 feature film.

Reception

The documentary follows McElwee's usual style, where he gives voiceovers to apparently spontaneous footage, making the story more personal.[5] According to Roger Ebert:

Template:Blockquote

Marian Keane, in her essay "Reflections on Bright Leaves", collected in "Three Documentary Filmmakers", asserts that Bright Leaves displays McElwee's extraordinary ability to present "people in their uniqueness", contrasting this with other documentaries where people often "seem to exist in the world of film as if suspended from their relation to their actual lives."[1]

Awards and nominations

References

  1. ↑ 1.0 1.1 1.2 1.3 William Rothman (2009). Three Documentary Filmmakers: Errol Morris, Ross McElwee, Jean Rouch. SUNY Press, 2, 6, 64, 68, 69. 70, 72, 73–82, 97, 103–121. ISBN 9781438425160. 
  2. ↑ Kathy McDonald (September 2004). McElwee's 'Bright Leaves' Gives Viewers Something to Chew On.
  3. ↑ Bright Leaves, 2012-05-10.
  4. ↑ Leiter, Andrew B. (28 July 2011). Southerners on Film: Essays on Hollywood Portrayals Since the 1970s. McFarland, 142–144. ISBN 978-0-7864-8702-8. 
  5. ↑ 5.0 5.1 Roger Ebert (2013). Roger Ebert's Movie Yearbook 2007. Andrews McMeel Publishing. ISBN 9780740792199. 
  6. ↑ McNary, Dave (15 February 2005). WGA serves up 1st doc kudo to 'Super'.
Cite error: <ref> tag with name "DadunRossMcElwee" defined in <references> is not used in prior text.

External links

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