History of music psychology/Bibliography: Difference between revisions
Jump to navigation
Jump to search
imported>Daniel Mietchen mNo edit summary |
imported>Daniel Mietchen (+one) |
||
| Line 99: | Line 99: | ||
| pages = 381-404 | | pages = 381-404 | ||
| doi = 10.1093/mq/XXIX.3.381 | | doi = 10.1093/mq/XXIX.3.381 | ||
}} | |||
*{{cite journal | |||
| author = Stresemann, E. | |||
| year = 1925 | |||
| title = Beiträge zu einer Geschichte der deutschen Vogelkunde | |||
| journal = Journal of Ornithology | |||
| volume = 73 | |||
| issue = 4 | |||
| pages = 594-628 | |||
| doi = 10.1007/BF01906224 | |||
}} | }} | ||
*{{cite book | *{{cite book | ||
Revision as of 01:34, 23 July 2008
- Please sort and annotate in a user-friendly manner. For formatting, consider using automated reference wikification.
- Ball, P. (2008). "Facing the music". Nature 453 (7192): 160-2. DOI:10.1038/453160a. Research Blogging.
- Huron, D. (2008). "Lost in music". Nature 453 (7194): 456-7. DOI:10.1038/453456a. Research Blogging.
- Krumhansl, C.L. (2005). "The geometry of musical structure: a brief introduction and history". Computers in Entertainment (CIE) 3 (4): 3-3. DOI:10.1145/1095534.1095542. Research Blogging.
- Johnson, J.K.; Graziano, A.B. (2003). "August Knoblauch and amusia: A nineteenth-century cognitive model of music". Brain and Cognition 51 (1): 102-114. DOI:10.1016/S0278-2626(02)00527-4. Research Blogging.
- Leman, M.; Schneider, A. (1997). "Origin and nature of cognitive and systematic musicology: An introduction". Music, Gestalt, and computing-studies in cognitive and systematic musicology: 13-29.
- Krumhansl, C.L. (1991). "Music Psychology: Tonal Structures in Perception and Memory". Annual Reviews in Psychology 42 (1): 277-303. DOI:10.1146/annurev.ps.42.020191.001425. Research Blogging.
- Hutchinson, W.; Knopoff, L. (1978). "The acoustic component of western consonance". Journal of New Music Research 7 (1): 1-29. DOI:10.1080/09298217808570246. Research Blogging.
- Smith, W.J. (1975). "Research In The Psychology Of Listening To Music". The British Journal of Aesthetics 15 (4): 367-372. DOI:10.1093/bjaesthetics/15.4.367. Research Blogging.
- Sachs, C. (1960). "Primitive and Medieval Music: A Parallel". Journal of the American Musicological Society 13 (1-3): 43-49. DOI:10.1525/jams.1960.13.1-3.03a00050. Research Blogging.
- Sachs, C. (1943). "The Road To Major". The Musical Quarterly (3): 381-404. DOI:10.1093/mq/XXIX.3.381. Research Blogging.
- Stresemann, E. (1925). "Beiträge zu einer Geschichte der deutschen Vogelkunde". Journal of Ornithology 73 (4): 594-628. DOI:10.1007/BF01906224. Research Blogging.
- MacDowell, E. (1912). Critical and Historical Essays, ed. by WJ Baltzell. Boston/New York: Stanhope Press.
- Spencer, H. (1891). "On the origin of music". Mind 16 (64): 535-537.
- Cattell, J.M. (1888). "The psychological laboratory at Leipsic". Mind 13 (49): 37-51.
- Clark, X. (1879). "Animal Music, its Nature and Origin". American Naturalist 13 (4): 209. DOI:10.1086/272315. Research Blogging.
- Darwin, C. (1871). The descent of man, and sexual selection in relation to sex. London: Murray.
- Helmholtz, H. (1863). Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Braunschweig: Vieweg & Sohn.
- Spencer, H. (1857). "The origin and function of music". Fraser’s Magazine 56: 396-408.
- Gardiner, W. (1832). The Music of Nature; or, An Attempt to Prove what is Passionate and Pleasing in the Art of Singing, Speaking, and Performing upon musical instruments, is derived from the Sounds of The Animated World. With Curious Illustrations. London: Longman, Rees et al. / Leicester: T. Combe and Son; and A. Cockshaw.