History of music psychology/Bibliography: Difference between revisions
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imported>Daniel Mietchen (+one) |
imported>Daniel Mietchen (+some more) |
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| Line 40: | Line 40: | ||
| pages = 102-114 | | pages = 102-114 | ||
| doi = 10.1016/S0278-2626(02)00527-4 | | doi = 10.1016/S0278-2626(02)00527-4 | ||
}} | |||
*{{cite journal | |||
| author = Krumhansl, C.L. | |||
| year = 1991 | |||
| title = Music Psychology: Tonal Structures in Perception and Memory | |||
| journal = Annual Reviews in Psychology | |||
| volume = 42 | |||
| issue = 1 | |||
| pages = 277-303 | |||
| doi = 10.1146/annurev.ps.42.020191.001425 | |||
}} | |||
*{{cite journal | |||
| author = Hutchinson, W. | |||
| coauthors = Knopoff, L. | |||
| year = 1978 | |||
| title = The acoustic component of western consonance | |||
| journal = Journal of New Music Research | |||
| volume = 7 | |||
| issue = 1 | |||
| pages = 1-29 | |||
| doi = 10.1080/09298217808570246 | |||
}} | |||
*{{cite journal | |||
| author = Smith, W.J. | |||
| year = 1975 | |||
| title = Research In The Psychology Of Listening To Music | |||
| journal = The British Journal of Aesthetics | |||
| volume = 15 | |||
| issue = 4 | |||
| pages = 367-372 | |||
| doi = 10.1093/bjaesthetics/15.4.367 | |||
}} | }} | ||
*{{cite journal | *{{cite journal | ||
| Line 93: | Line 124: | ||
| publisher = London: Murray | | publisher = London: Murray | ||
| url = http://darwin-online.org.uk/content/frameset?itemID=F937.1&viewtype=side&pageseq=1 | | url = http://darwin-online.org.uk/content/frameset?itemID=F937.1&viewtype=side&pageseq=1 | ||
}} | |||
*{{cite book | |||
| author = Helmholtz, H. | |||
| year = 1863 | |||
| title = Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik | |||
| publisher = Hildesheim, O1ms: Vieweg, Reproduction (reprinted 1968) | |||
| url = http://vlp.mpiwg-berlin.mpg.de/references?id=lit3483 | |||
}} | }} | ||
*{{cite journal | *{{cite journal | ||
Revision as of 00:57, 22 July 2008
- Please sort and annotate in a user-friendly manner. For formatting, consider using automated reference wikification.
- Ball, P. (2008). "Facing the music". Nature 453 (7192): 160-2. DOI:10.1038/453160a. Research Blogging.
- Huron, D. (2008). "Lost in music". Nature 453 (7194): 456-7. DOI:10.1038/453456a. Research Blogging.
- Krumhansl, C.L. (2005). "The geometry of musical structure: a brief introduction and history". Computers in Entertainment (CIE) 3 (4): 3-3. DOI:10.1145/1095534.1095542. Research Blogging.
- Johnson, J.K.; Graziano, A.B. (2003). "August Knoblauch and amusia: A nineteenth-century cognitive model of music". Brain and Cognition 51 (1): 102-114. DOI:10.1016/S0278-2626(02)00527-4. Research Blogging.
- Krumhansl, C.L. (1991). "Music Psychology: Tonal Structures in Perception and Memory". Annual Reviews in Psychology 42 (1): 277-303. DOI:10.1146/annurev.ps.42.020191.001425. Research Blogging.
- Hutchinson, W.; Knopoff, L. (1978). "The acoustic component of western consonance". Journal of New Music Research 7 (1): 1-29. DOI:10.1080/09298217808570246. Research Blogging.
- Smith, W.J. (1975). "Research In The Psychology Of Listening To Music". The British Journal of Aesthetics 15 (4): 367-372. DOI:10.1093/bjaesthetics/15.4.367. Research Blogging.
- Sachs, C. (1943). "The Road To Major". The Musical Quarterly (3): 381-404. DOI:10.1093/mq/XXIX.3.381. Research Blogging.
- MacDowell, E. (1912). Critical and Historical Essays, ed. by WJ Baltzell. Boston/New York: Stanhope Press.
- Spencer, H. (1891). "On the origin of music". Mind 16 (64): 535-537.
- Cattell, J.M. (1888). "The psychological laboratory at Leipsic". Mind 13 (49): 37-51.
- Clark, X. (1879). "Animal Music, its Nature and Origin". American Naturalist 13 (4): 209. DOI:10.1086/272315. Research Blogging.
- Darwin, C. (1871). The descent of man, and sexual selection in relation to sex. London: Murray.
- Helmholtz, H. (1863). Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Hildesheim, O1ms: Vieweg, Reproduction (reprinted 1968).
- Spencer, H. (1857). "The origin and function of music". Fraser’s Magazine 56: 396-408.
- Gardiner, W. (1832). The Music of Nature; or, An Attempt to Prove what is Passionate and Pleasing in the Art of Singing, Speaking, and Performing upon musical instruments, is derived from the Sounds of The Animated World. With Curious Illustrations. London: Longman, Rees et al. / Leicester: T. Combe and Son; and A. Cockshaw.