Violin Concerto (Beethoven)/Bibliography: Difference between revisions
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C. A. B. “Folk-Tunes in Beethoven's Orchestral Works”, ''The Musical Times and Singing Class Circular'', Vol. 33, Beethoven Supplement. (Dec. 15, 1892): 28. | |||
Dubiel, Joseph. “Hearing, remembering, cold storage, purism, evidence, and | Dubiel, Joseph. “Hearing, remembering, cold storage, purism, evidence, and | ||
attitude adjustment”, ''Current Musicology'' 60-61 (1996) : 26-50 | attitude adjustment”, ''Current Musicology'' 60-61 (1996) : 26-50 | ||
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Hopkins, Antony. ''The Seven Concertos of Beethoven'' (Aldershot: Scolar Press, 1996). | Hopkins, Antony. ''The Seven Concertos of Beethoven'' (Aldershot: Scolar Press, 1996). | ||
Jander, Owen. “Exploring Sulzer’s ''Allgemeine Theorie'' as a source used by Beethoven”, ''Beethoven Newsletter | Jander, Owen. “Exploring Sulzer’s ''Allgemeine Theorie'' as a source used by Beethoven”, ''Beethoven Newsletter'', Vol. 2, no. 1 (Spring 1987): 1-7. | ||
Jander, Owen. “Romantic Form and Content in the Slow Movement of Beethoven’s Violin Concerto”, ''The Musical Quarterly'' 69 (Spring, 1983): 159-179. | Jander, Owen. “Romantic Form and Content in the Slow Movement of Beethoven’s Violin Concerto”, ''The Musical Quarterly'' 69 (Spring, 1983): 159-179. | ||
Jarosy, Albert and Herma E. Fiedler. “Three Editions of Beethoven's Violin Concerto”, ''Music & Letters'', Vol. 15, No. 4 (Oct., 1934): 329-335. | |||
Plantings, Leon. ''Beethoven’s Concertos'' (New York: W. W. Norton & Company, 1999). | Plantings, Leon. ''Beethoven’s Concertos'' (New York: W. W. Norton & Company, 1999). | ||
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C. A. B. “Folk-Tunes in Beethoven's Orchestral Works”, The Musical Times and Singing Class Circular, Vol. 33, Beethoven Supplement. (Dec. 15, 1892): 28.
Dubiel, Joseph. “Hearing, remembering, cold storage, purism, evidence, and attitude adjustment”, Current Musicology 60-61 (1996) : 26-50
Fiske, Roger. Beethoven Concertos and Overtures (London: British Broadcasting Corporation, 1977).
Grove, George. “Beethoven’s Violin Concerto. (Op. 61)”, The Musical Times 46 (1 Jul. 1905): 459-71.
Hopkins, Antony. The Seven Concertos of Beethoven (Aldershot: Scolar Press, 1996).
Jander, Owen. “Exploring Sulzer’s Allgemeine Theorie as a source used by Beethoven”, Beethoven Newsletter, Vol. 2, no. 1 (Spring 1987): 1-7.
Jander, Owen. “Romantic Form and Content in the Slow Movement of Beethoven’s Violin Concerto”, The Musical Quarterly 69 (Spring, 1983): 159-179.
Jarosy, Albert and Herma E. Fiedler. “Three Editions of Beethoven's Violin Concerto”, Music & Letters, Vol. 15, No. 4 (Oct., 1934): 329-335.
Plantings, Leon. Beethoven’s Concertos (New York: W. W. Norton & Company, 1999).
Schwarz, Boris. “Beethoven and the French Violin School”, The Musical Quarterly 44 (Oct., 1958): 431-47.
Sommers, Lawrence. “Beethoven’s Violin Concerto”, Music & Letters, Vol. 15, No. 1. (Jan., 1934): 46-49.
Stowell, Robin. Beethoven: Violin Concerto (Cambridge: Cambridge University Press, 1998).
Tovey, Donald Francis. Essays in Musical Analysis: Volume III Concertos (London: Oxford University Press, 1969).
Williams, Graham. Beethoven Violin Concerto in D Major, Op. 61 (Leeds: Mayflower Enterprises, 1986).
See also comments in:
Cooper, Barry. Beethoven (Oxford: Oxford University Press, 2000).
Lockwood, Lewis. Beethoven The Music and the Life (W. W. Norton & Company: New York, 2005).
Solomon, Maynard. Beethoven (London: Granada, 1980).