User:Robson camargo: Difference between revisions
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Robson Corrêa de Camargo or Robson Camargo (born in 1952) is Professor and director of Theater at Universidade Federal de Goiás - Brasil. He got his Ph.D. at Universidade de São Paulo, with a research about the performance of Melodrama in France, England and Brasil, to be publish | {{AccountNotLive}} | ||
He | Robson Corrêa de Camargo or Robson Camargo (born in 1952) is Professor and director of Theater at Universidade Federal de Goiás - Brasil. He got his Ph.D. at Universidade de São Paulo, with a research about the performance of Melodrama in France, England and Brasil, to be publish in 2007 in Portuguese, by Universidade de Brasília. He teaches Aesthetics and acting at his University. | ||
He manages a research group about Performance and its acting technics, called Máskara (mask). | |||
Robson Camargo worked as critic at Folha de São Paulo, a major Brazilian newspaper, between 1984 e 1987 and at Movimento a weekly newspaper, central in the fight for liberty during the Brazilian dictatorship (1974-1977). He has articles published at Gestos at University of Irvine and Sala Preta (Black Room) from Universidade de São Paulo. As an artistic director he performed two comedies in Spanish at Arizona State University, when he was a invited researcher: | Robson Camargo worked as critic at Folha de São Paulo, a major Brazilian newspaper, between 1984 e 1987 and at Movimento a weekly newspaper, central in the fight for liberty during the Brazilian dictatorship (1974-1977). He has articles published at Gestos at University of Irvine and Sala Preta (Black Room) from Universidade de São Paulo. As an artistic director he performed two comedies in Spanish at Arizona State University, when he was a invited researcher: El Dia Que Me Quieras (1996), by José Ignácio Cabrujas, and El Nuevo Mundo (1997), by Carlos Somigliana . | ||
Recently he directed Waiting for Godot (Esperando Godot, 2006) by Samuel Beckett and Betrail by Harold Pinter (2001) in Brazil. Pictures of Esperando Godot (2006) might be seen at http://robsoncamargo.fotos.net.br/sambeckettgyn2005 | Recently he directed Waiting for Godot (Esperando Godot, 2006) by Samuel Beckett and Betrail by Harold Pinter (2001) in Brazil. Pictures of Esperando Godot (2006) might be seen at http://robsoncamargo.fotos.net.br/sambeckettgyn2005 | ||
University professor since 1976 he has also published at Urdimento ( | University professor since 1976 he has also published at Urdimento (Universidade de Santa Catarina - BR) and Manuscrítica Universidade de São Paulo, Brasil (FFLCH/USP) and has expertise in Latinamerican Theater, Aesthetics and History of Theater, Theater for Workers and Acting Technics for Theatrical Performance. Camargo has articles published in Portuguese, Spanish and English. He coordinates a group of Theater Theory and its Reception at the Graduate Brazilian National Research Association ( Associação Brasileira de Pesquisa e Pós-Graduação em Artes Cênicas - Abrace) and also a National Commission from the Education Ministry which evaluates the Undergraduate Theater Programs in Brazil. | ||
As Múltiplas Faces do Melodrama | some articles published: | ||
The Multiple Faces of Melodrama | |||
As Múltiplas Faces do Melodrama/ | |||
The Multiple Faces of Melodrama (portuguese) | |||
http://www.hnet.uci.edu/gestos/discursos.html | http://www.hnet.uci.edu/gestos/discursos.html | ||
A recepção crítica de Esperando Godot no teatro brasileiro | A recepção crítica de Esperando Godot no teatro brasileiro/ | ||
The critical recption of Waiting for Godot at Brazilian Theater | The critical recption of Waiting for Godot at Brazilian Theater (portuguese) | ||
http://www.hnet.uci.edu/gestos/ges40.html | http://www.hnet.uci.edu/gestos/ges40.html | ||
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{{ewelcome}} --[[User:Bernard Haisch|Bernard Haisch]] 15:53, 27 December 2006 (CST) | {{ewelcome}} --[[User:Bernard Haisch|Bernard Haisch]] 15:53, 27 December 2006 (CST) | ||
[[Category:CZ Editors| | [[Category:Inactive CZ Editors|camargo, Robson]] | ||
[[Category:Theater Editors| | [[Category:Inactive Theater Editors|camargo, Robson]] | ||
Latest revision as of 03:38, 22 November 2023
The account of this former contributor was not re-activated after the server upgrade of March 2022.
Robson Corrêa de Camargo or Robson Camargo (born in 1952) is Professor and director of Theater at Universidade Federal de Goiás - Brasil. He got his Ph.D. at Universidade de São Paulo, with a research about the performance of Melodrama in France, England and Brasil, to be publish in 2007 in Portuguese, by Universidade de Brasília. He teaches Aesthetics and acting at his University.
He manages a research group about Performance and its acting technics, called Máskara (mask).
Robson Camargo worked as critic at Folha de São Paulo, a major Brazilian newspaper, between 1984 e 1987 and at Movimento a weekly newspaper, central in the fight for liberty during the Brazilian dictatorship (1974-1977). He has articles published at Gestos at University of Irvine and Sala Preta (Black Room) from Universidade de São Paulo. As an artistic director he performed two comedies in Spanish at Arizona State University, when he was a invited researcher: El Dia Que Me Quieras (1996), by José Ignácio Cabrujas, and El Nuevo Mundo (1997), by Carlos Somigliana .
Recently he directed Waiting for Godot (Esperando Godot, 2006) by Samuel Beckett and Betrail by Harold Pinter (2001) in Brazil. Pictures of Esperando Godot (2006) might be seen at http://robsoncamargo.fotos.net.br/sambeckettgyn2005
University professor since 1976 he has also published at Urdimento (Universidade de Santa Catarina - BR) and Manuscrítica Universidade de São Paulo, Brasil (FFLCH/USP) and has expertise in Latinamerican Theater, Aesthetics and History of Theater, Theater for Workers and Acting Technics for Theatrical Performance. Camargo has articles published in Portuguese, Spanish and English. He coordinates a group of Theater Theory and its Reception at the Graduate Brazilian National Research Association ( Associação Brasileira de Pesquisa e Pós-Graduação em Artes Cênicas - Abrace) and also a National Commission from the Education Ministry which evaluates the Undergraduate Theater Programs in Brazil.
some articles published:
As Múltiplas Faces do Melodrama/ The Multiple Faces of Melodrama (portuguese) http://www.hnet.uci.edu/gestos/discursos.html
A recepção crítica de Esperando Godot no teatro brasileiro/ The critical recption of Waiting for Godot at Brazilian Theater (portuguese) http://www.hnet.uci.edu/gestos/ges40.html
Notes about articles and papers http://www.fsu.edu/~icffs/abstracts/beckett/camargo.html (English) http://www.hnet.uci.edu/gestos/ges40res.html (Spanish) http://www.filologia.org.br/revista/artigo/7(23)11.htm (Portuguese)
Performances http://www.ua.ac.be/main.aspx?c=*SBECKETT&n=22093
articles and interviews in Portuguese about his performances
http://www.bravonline.com.br/noticias.php?id=342 ↑http://www.fsu.edu/~icffs/abstracts/beckett/camargo.html http://www.dm.com.br/impresso.php?id=132465&edicao=6731&cck=2 http://www.dm.com.br/impresso.php?id=132467&edicao=6731&cck=2 http://www.dm.com.br/impresso.php?id=132466&edicao=6731&cck=2 http://www.dm.com.br/impresso.php?id=132466&edicao=6731&cck=2 ↑http://www.ua.ac.be/main.aspx?c=*SBECKETT&n=22093
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Welcome, new editor! We're very glad you've joined us. Here are pointers for a quick start. Also, when you get a chance, please read The Editor Role. You can look at Getting Started and our help system for other introductory pages. It is also important, for project-wide matters, to join the Citizendium-L (broadcast) mailing list. Announcements are also available via Twitter. You can test out editing in the sandbox if you'd like. If you need help to get going, the forum is one option. That's also where we discuss policy and proposals. You can ask any administrator for help, too. Just put a note on their "talk" page. Again, welcome and thank you! We appreciate your willingness to share your expertise, and we hope to see your edits on Recent changes soon. --Bernard Haisch 15:53, 27 December 2006 (CST)