Cent (music): Difference between revisions
Jump to navigation
Jump to search
imported>John R. Brews (→References: more specific source of cent) |
imported>John R. Brews m (→References: edition) |
||
| Line 6: | Line 6: | ||
<ref name=Ellis> | <ref name=Ellis> | ||
{{cite book |title=On the Sensation of Tone As a Physiological Basis for the Theory of Music |author=Herman von Helmholtz |url= http://books.google.com/books?id=wY2fAAAAMAAJ&pg=PA41 |edition=Alexander Ellis translation |chapter=Footnote, p. 41 and Appendix XX, Section C|year=1912 |publisher=Longmans, Green}} | {{cite book |title=On the Sensation of Tone As a Physiological Basis for the Theory of Music |author=Herman von Helmholtz |url= http://books.google.com/books?id=wY2fAAAAMAAJ&pg=PA41 |edition=Alexander Ellis translation of 4th German ed |chapter=Footnote, p. 41 and Appendix XX, Section C|year=1912 |publisher=Longmans, Green}} | ||
</ref> | </ref> | ||
}} | }} | ||
Revision as of 09:18, 11 July 2012
The cent is a logarithmic measure of a musical interval introduced by Alexander Ellis. It first appears in the appendix he added to his translation of Herman von Helmholtz's On the Sensation of Tone As a Physiological Basis for the Theory of Music.[1] A cent is the logarithmic division of the equitempered semitone into 100 equal parts. It is therefore the 1200th root of 2, a ratio approximately equal to (1:1.0005777895).
References
- ↑ Herman von Helmholtz (1912). “Footnote, p. 41 and Appendix XX, Section C”, On the Sensation of Tone As a Physiological Basis for the Theory of Music, Alexander Ellis translation of 4th German ed. Longmans, Green.