Talk:Black Tape for a Blue Girl: Difference between revisions
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imported>D. Matt Innis (→YES that's proper capitalization: good point) |
imported>Hayford Peirce (→YES that's proper capitalization: a dissenting view) |
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:That's certainly a good point. I'm sure it won't be the last time this subject comes up. You might want to take it to the next level. [[User:D. Matt Innis|D. Matt Innis]] 01:20, 12 April 2010 (UTC) | :That's certainly a good point. I'm sure it won't be the last time this subject comes up. You might want to take it to the next level. [[User:D. Matt Innis|D. Matt Innis]] 01:20, 12 April 2010 (UTC) | ||
::I dunno if it actually *is* a good point. Many famous writers, back in the days when they actually *wrote*, on typewriters, or by quill pens or whatever, no matter what wonderful stylists they were, were terrible spellers, for instance. It took a whole publishing house full of editors to clean up their stuff. Why should we trust Rosenthal here? It's like the [[Kingston Trio]], in 1990 or so, copyrighting themselves as "The Kingston Trio", with caps on the "The". Absurd. [[User:Hayford Peirce|Hayford Peirce]] 02:36, 12 April 2010 (UTC) |
Revision as of 21:36, 11 April 2010
YES that's proper capitalization
I've looked around at this a long time. I've seen it spelled black tape for a blue girl, Black tape for a blue girl, Black Tape for a Blue Girl, but Rosenthal when he writes about it capitalizes every word; and when it's abbreviated its BTFABG, so every word matters. And besides, he's the authority on his own projekt. Russell D. Jones 20:58, 27 February 2010 (UTC)
- That's certainly a good point. I'm sure it won't be the last time this subject comes up. You might want to take it to the next level. D. Matt Innis 01:20, 12 April 2010 (UTC)
- I dunno if it actually *is* a good point. Many famous writers, back in the days when they actually *wrote*, on typewriters, or by quill pens or whatever, no matter what wonderful stylists they were, were terrible spellers, for instance. It took a whole publishing house full of editors to clean up their stuff. Why should we trust Rosenthal here? It's like the Kingston Trio, in 1990 or so, copyrighting themselves as "The Kingston Trio", with caps on the "The". Absurd. Hayford Peirce 02:36, 12 April 2010 (UTC)