No Quarter (song): Difference between revisions
imported>Meg Taylor (add) |
imported>Meg Taylor (add) |
||
| Line 22: | Line 22: | ||
'No Quarter' was recorded in 1972 at [[Island Studios]], [[London]]. It was engineered by [[Andy Johns]] and also mixed by Johns at [[Olympic Studios]], London. The version that made it onto the album evolved out of a faster version they had recorded earlier at [[Headley Grange]], an old mansion in [[East Hampshire]], England.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> Jimmy Page applied [[Pitch control|vari-speed]] to drop the whole song a semi-tone, in order to give it a thicker and more intense mood.<ref>Brad Tolinski and Greg Di Bendetto, 'Light and Shade', ''Guitar World'', January 1998.</ref> The guitar solo effect was achieved by direct injection and compression.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> The song features a brief [[Shepard tone|Shepard scale]] at the close of the solo section at around the 4:45 mark. | 'No Quarter' was recorded in 1972 at [[Island Studios]], [[London]]. It was engineered by [[Andy Johns]] and also mixed by Johns at [[Olympic Studios]], London. The version that made it onto the album evolved out of a faster version they had recorded earlier at [[Headley Grange]], an old mansion in [[East Hampshire]], England.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> Jimmy Page applied [[Pitch control|vari-speed]] to drop the whole song a semi-tone, in order to give it a thicker and more intense mood.<ref>Brad Tolinski and Greg Di Bendetto, 'Light and Shade', ''Guitar World'', January 1998.</ref> The guitar solo effect was achieved by direct injection and compression.<ref>Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9.</ref> The song features a brief [[Shepard tone|Shepard scale]] at the close of the solo section at around the 4:45 mark. | ||
Jones used a Hohner [[Electra-Piano]]. | Jones used a Hohner [[Electra-Piano]]. An [[EMS VCS3]] was utilised to create the underwater 'wobble' effect on 'No Quarter'. Jones ran the audio signal of the Hohner piano through the filter, and modulated the filter with a sine-wave LFO. This made the filter rise and fall rapidly, creating a shifting tone not unlike a phaser, or [[Leslie speaker]]. | ||
The title is derived from the [[No quarter|military practice of showing no mercy to captured enemy]]. This military theme is captured in several of the song's lyrics. In Led Zeppelin's movie ''[[The Song Remains the Same]],'' 'No Quarter' was the thematic music behind Jones' personal fantasy sequence, in which he played a haunting masked horseman roaming the graveyards. Jimmy Page also used a short segment of [[theremin]] as an added sound effect while playing the song live, as can additionally be seen in the movie. | The title is derived from the [[No quarter|military practice of showing no mercy to captured enemy]]. This military theme is captured in several of the song's lyrics. In Led Zeppelin's movie ''[[The Song Remains the Same]],'' 'No Quarter' was the thematic music behind Jones' personal fantasy sequence, in which he played a haunting masked horseman roaming the graveyards. Jimmy Page also used a short segment of [[theremin]] as an added sound effect while playing the song live, as can additionally be seen in the movie. | ||
Revision as of 06:12, 13 October 2009
| No Quarter | |
|---|---|
| Appears on | Houses of the Holy |
| Published by | Superhype Music |
| Registration | ASCAP 440078588 |
| Release date | 18 March 1973 |
| Recorded | May 1972 at Island Studios, London. Mixed at Olympic Studios, London. |
| Genre | Progressive rock, rock |
| Language | English |
| Length | 6 min 57 sec |
| Composer | John Paul Jones, Jimmy Page, Robert Plant |
| Label | Atlantic Records |
| Producer | Jimmy Page |
| Engineer | Andy Johns |
'No Quarter' is the seventh song on English rock band Led Zeppelin's fifth album Houses of the Holy, released in 1973. It was written by bassist/keyboardist John Paul Jones, guitarist Jimmy Page and singer Robert Plant.
Overview
'No Quarter' was recorded in 1972 at Island Studios, London. It was engineered by Andy Johns and also mixed by Johns at Olympic Studios, London. The version that made it onto the album evolved out of a faster version they had recorded earlier at Headley Grange, an old mansion in East Hampshire, England.[1] Jimmy Page applied vari-speed to drop the whole song a semi-tone, in order to give it a thicker and more intense mood.[2] The guitar solo effect was achieved by direct injection and compression.[3] The song features a brief Shepard scale at the close of the solo section at around the 4:45 mark.
Jones used a Hohner Electra-Piano. An EMS VCS3 was utilised to create the underwater 'wobble' effect on 'No Quarter'. Jones ran the audio signal of the Hohner piano through the filter, and modulated the filter with a sine-wave LFO. This made the filter rise and fall rapidly, creating a shifting tone not unlike a phaser, or Leslie speaker.
The title is derived from the military practice of showing no mercy to captured enemy. This military theme is captured in several of the song's lyrics. In Led Zeppelin's movie The Song Remains the Same, 'No Quarter' was the thematic music behind Jones' personal fantasy sequence, in which he played a haunting masked horseman roaming the graveyards. Jimmy Page also used a short segment of theremin as an added sound effect while playing the song live, as can additionally be seen in the movie.
Live performances
From 1973 'No Quarter' became a centrepiece at Led Zeppelin concerts, being played at virtually every show the band performed until 1980 (it was eventually discarded on their final tour 'Over Europe' in that year).[4] The song took on a very mysterious texture on stage as many lights and simulated fog were used.
During live performances Jones would showcase his skills as a pianist, frequently improvising on keyboards and playing parts of classical music. On the band's ninth North American tour in 1973, performances of the song lasted twice the length of the studio version. On Led Zeppelin's concert tours from 1975 onwards, Jones would also play a short piano concerto (on a grand piano) frequently turning the seven-minute song into a performance exceeding twenty minutes, with Page and Bonham always joining him later in the song. He was particularly fond of playing Sergei Rachmaninoff pieces, but sometimes included Joaquín Rodrigo's Concierto de Aranjuez. One version of the song, recorded at the Kingdome in Seattle in 1977, lasted thirty-six minutes, where, after the piano solo, Jones led the group into an R&B based jam, as a prelude to the guitar solo proper (similar versions can also be heard on the Destroyer bootleg CD, or bootleg DVDs of the concerts at Knebworth in 1979.)
Page and Plant recorded a version of the song in 1994, ironically without Jones, released on their album No Quarter: Jimmy Page and Robert Plant Unledded. Robert Plant played a radically different version of the song as the opening number on his solo tour in 2005, as is included on the DVD release Soundstage: Robert Plant and the Strange Sensation. 'No Quarter' was also a central part of Jones' own solo concerts between 1999 and 2002. 'No Quarter' was performed at Led Zeppelin's reunion show at the O2 Arena, London on 10 December 2007.
| |
Notes
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
- ↑ Brad Tolinski and Greg Di Bendetto, 'Light and Shade', Guitar World, January 1998.
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
- ↑ Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.