Music and emotion/Bibliography

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• Perlovsky L (2010). "Musical emotions: functions, origins, evolution". Phys Life Rev 7 (1): 2-27. DOI:10.1016/j.plrev.2009.11.001. PMID 20374916. Research Blogging. ^[e]

Provides an overview on existing theories of the origin of music, focusing on the interplay between music and emotion.

Interesting discussion with contributions from multiple perspectives, though some of the major voices are missing.

• Fritz T, Jentschke S, Gosselin N, Sammler D, Peretz I, Turner R et al. (2009). "Universal recognition of three basic emotions in music.". Curr Biol 19 (7): 573-6. DOI:10.1016/j.cub.2009.02.058. PMID 19303300. Research Blogging. ^[e]

Reviewed in this blog post.

• Juslin, P.; Västfjäll, D. (2008). "Emotional responses to music: The need to consider underlying mechanisms". Behavioural and Brain Sciences: in press.

• Taylor, A.M.; Reby, D.; McComb, K. (2008). "Human listeners attend to size information in domestic dog growls". The Journal of the Acoustical Society of America 123: 2903. Retrieved on 2008-06-26.

• Trainor, L. (2008). "The neural roots of music". Nature 453 (7195): 598-9. DOI:10.1038/453598a. Research Blogging.

• Ghashghaei, H.T.; C.C. Hilgetag & H. Barbas (2007), "Sequence of information processing for emotions based on the anatomic dialogue between prefrontal …", Neuroimage 34 (3): 905–923, DOI:10.1016/j.neuroimage.2006.09.046
• Storbeck, J. & G.L. Clore (2007), "On the interdependence of cognition and emotion", Cognition and Emotion 21 (6): 1212–1237, DOI:10.1080/02699930701438020 ^[e]

"We conclude that one function of affect is to regulate cognitive processing."

• Eldar, E.; Ganor, O.; Admon, R.; Bleich, A.; Hendler, T. (2007). "Feeling the Real World: Limbic Response to Music Depends on Related Content". Cerebral Cortex 17 (12): 2828. DOI:10.1093/cercor/bhm011. Research Blogging.

• Porges, S.W. (2007), "The polyvagal perspective", Biological Psychology 74 (2): 116–143, DOI:10.1016/j.biopsycho.2006.06.009 ^[e]
• Koelsch, S.; Fritz, T.; Von Cramon, D.Y.; Müller, K.; Friederici, A.D. (2006). "Investigating emotion with music: an fMRI study". Human Brain Mapping 27 (3): 239-250. DOI:10.1002/hbm.20180. Research Blogging.

• Davies, S. (2006). "Artistic Expression and the Hard Case of Pure Music, in: Kieran, M. (Ed.), Contemporary Debates in Aesthetics and the Philosophy of Art": 179-91.

• Scherer, K.R. (2004). "Which Emotions Can be Induced by Music? What Are the Underlying Mechanisms? And How Can We Measure Them?". Journal of New Music Research 33 (3): 239-251.

• Juslin, P.N.; Laukka, P. (2003). "Communication of emotions in vocal expression and music performance: different channels, same code?". Psychol Bull 129 (5): 770-814. Retrieved on 2008-06-26.

• Krumhansl, C.L. (2002). "Music: A Link Between Cognition and Emotion". Current Directions in Psychological Science 11 (2): 45-50. DOI:10.1111/1467-8721.00165. Research Blogging.

• Blood, A.J.; Zatorre, R.J.; Bermudez, P.; Evans, A.C. (1999). "Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions". Nature Neuroscience 2: 382-387. DOI:10.1038/7299. Research Blogging.

• Scherer, K.R. (1995). "Expression of emotion in voice and music". Journal of Voice 9 (3): 235-248. DOI:10.1016/S0892-1997(05)80231-0. Research Blogging.

• Morton, E.S. (1977). "On the Occurrence and Significance of Motivation-Structural Rules in Some Bird and Mammal Sounds". The American Naturalist 111 (981): 855. DOI:10.1086/283219. Research Blogging.

• James, W. (1884). "What is an emotion". Mind 9 (34): 188-205.